The misattributions to Don Segall on the GCD for these books,
coalescing as far as anyone can tell out of thin air, originated
decades earlier with me, back around the time I misidentified some
non-William Woolfolk stories as Woolfolk's. I was correct in making the
leap from these Dell stories to the Tower ones, but started from a
misidentification of the writer. From what I can see now, Don Segall
worked at Dell up through the middle of 1965; these are from
1966-67.
DJ Arneson not long ago recalled writing a comic's entire first issue for Tower, an "Undersea guy." He actually wrote two issue's worth of those
double-sized books, going by the style. He remembered writing the Dell monster superheroes specifically. His other series like the Monkees and Dark Shadows (to name only two) never got misattributed.
An early warning sign for Arneson's writing is "Great Scot"
rather
than "Scott"
(although I've seen him use the latter once or twice). The full page
here is
from 1966's bookstore comic THE GREAT SOCIETY COMIC BOOK, on which he
and Tony Tallarico
(though not ghost-penciller Bill Fraccio) got cover and splash credits;
the tier below it is from FLYING SAUCERS 1, art by Chic Stone.
DRACULA and FRANKENSTEIN, of course, took up their numbering after
one-shot tie-ins to the Universal movies a few years earlier.
DRACULA 5 was skipped. The reasoning is obvious: 5
would
have reprinted 1, but they skipped over it to the superhero issues. It
may be a persnickety reason for the numbering gap, but it is a reason,
not the mistake that fans have called it.
Scripts by DJ ARNESON, not
Don
Segall, at Dell
DRACULA 2-4
DRACULA 6-8 (reprints 2-4)
FRANKENSTEIN 2-4
WEREWOLF 1-3
FLYING SAUCERS 1-4
FLYING SAUCERS 5 (reprints 1)
at Tower
UNDERSEA AGENT 1-2
Great detective work as usual, Martin. I indexed the corrections for the GCD and credited you and your blog.
ReplyDeleteIt strikes me that if you've read Arneson using 'Great Scott!' with two 'T's, it may have been the book's editor changing the spelling.
ReplyDeleteTim Bateman
Thanks, Nick; and Tim, if I saw that spelling in a later FLYING SAUCERS as I think I recall now, the editor was DJ Arneson. But yes, never take a published script as 100% the script that was bought.
ReplyDeleteAt least when editor Joe Kubert fixed art on books he edited, you could tell exactly what was his and what was left from the original. I had to figure out that any style quirks on Otto Binder's recorded EC scripts were Al Feldstein's. (Feldstein eventually gave up and let Jack Oleck's and Carl Wessler's later scripts run pretty much as written. Pretty much!)