The cover of the 1977 paperback edition of Charg, Monster is, of course, by Jim Steranko.
Wednesday, May 27, 2015
She Knows What Evil Lurks
The cover of the 1977 paperback edition of Charg, Monster is, of course, by Jim Steranko.
Wednesday, May 20, 2015
Joe Orlando's Girls' Love Stories' Creators
I chose a DC romance comic's run edited by Joe Orlando because he used one writer I can recognize at a glance paging through the comics: Jack Oleck. Another writer surprised me, although he's known to have worked for Orlando in 1969 on House of Mystery—see GLS 146 on the list.
As far as artists go—with the inkers striving to make everything look alike, you could ask ten people and get ten opinions, but here are mine. I will point out that "Laura" in #152 has been attributed to Art Saaf by his son, Steve Saaf per the CGD, but the evidence of the art itself shows that, under Jack Abel's inks, the pencils are by Werner Roth (above). On the other hand, Art Saaf's pencils under Colletta on "The Cheat" in #153 (below) have gone unattributed. "He Loves Me...He Loves Me Not" in #144 mostly looks like Roth, but on page five I see one panel with a close-up I'd otherwise credit to Saaf.
With the new stories hard enough to ID, I've left out the reprints with their slapdash updating obscuring things even further.
Note that the name in the #144 story is not Margaret but Margret; it took me a while to actually see that. I haven't seen issues 148, 154, or 156—romance comics not having been collected as assiduously as superhero ones, there aren't any uninterrupted runs of the DC titles that I can find.
UPDATE: I've added corrections (in bold) from Robin Snyder and SangorShop taken from Joe Orlando's payment records. See the new post for the additions of features like the text pages. Nothing more than the surname Scruggs is known about the artist in #155; a possibility would be Wilson Scruggs of the syndicated strip "The Story of Martha Wayne" (1953-1962).
Girls' Love Stories edited by Joe Orlando
Apr/69 | 142 | Thrill-Chick | w: ? p: Jim Aparo i: Bill Draut |
So Long in Love | w: ?
p: Win Mortimer i: Nick Cardy |
||
What Should I Do? | w: ? p: Mortimer i: Cardy | ||
May/ | 143 | Love Today--Cry Tomorrow | w:
Robert Kanigher p: Mortimer i: Wally Wood |
Only Love Can Create | w: ? a: Ernie Colón | ||
Cindy | w: ? p: Mortimer i: Cardy | ||
Jul/ | 144 | Can Love Last Forever? | w: ? a: John Rosenberger |
He Loves Me...He Loves Me Not | w: ? a: Vince Colletta | ||
Memory of Margret | w: ? p: Ric Estrada i: Colletta | ||
Aug/ | 145 | Tears for Tomorrow | w: ?
p: Estrada i: George Roussos |
My Secret | w: John Albano p: Jay Scott Pike i: Colletta | ||
Oct/ | 146 | Abandoned | w: ?
p: Tony Abruzzo i: Mike Peppe |
Which Love Is Mine? | w: Otto Binder a: Rosenberger | ||
Nov/ | 147 | Confessions | w: Barbara Friedlander a: Rosenberger |
The Ugliest Girl in the World | w: Friedlander
p: Mortimer i: Jack Abel |
||
Will the Real Prince Charming Please Stand Up? | w: Jack Miller
p: Estrada i: Colletta |
||
Feb/70 | 149 | Forbidden Love | w: Friedlander p: Estrada i: Abel |
For Better or Worse | w: Jack Oleck
p: Roth i: Colletta |
||
...But Only in My Dreams | w: Kanigher a: Liz Berube | ||
Confessions: Episode Three | w: Friedlander a: Rosenberger |
||
Apr/ | 150 | Confessions: Episode #4 | w: Friedlander a: Rosenberger |
Her Secret Shame | w: ?
a: Abruzzo i: Cardy |
||
Wallflower | w: Oleck p: Roth i: Wood (some Murphy Anderson?) | ||
May/ | 151 | The Wrong Kind of Love | w: Miller p: Pike i: Colletta |
Love Thief | w: Miller p: Roth i: Abel | ||
Confessions: Episode 5 | w: Friedlander a: Rosenberger |
||
July/ | 152 | Laura | w: Friedlander p: Roth i: Abel |
Confessions: Episode Six | w: Friedlander a: Rosenberger |
||
The Prettiest Girl in Town, Poor Thing | w: Miller a: George Tuska | ||
Aug/ | 153 | For Love or Money | w: Oleck a: Tony DeZuñiga |
The Engagement Ring | w: Oleck a: Don Heck | ||
The Cheat | w: Oleck p: Saaf i: Colletta | ||
The 3 Faces of Love | w: Miller
p: Mike Sekowsky i: Dick Giordano |
||
Nov/ | 155 | Will No One Trust Me Again? | w: Miller
p: John Calnan
i: Joe Giella |
Scrapbook of Tears | w: Friedlander p: Scruggs i: Colletta | ||
Feb/71 | 157 | One Husband, Two Loves | w: George Kashdan p: Roth i: Calnan? |
Love Thy Neighbor | w: Oleck a: Saaf | ||
Uptight (cheaters) | w: Henry Boltinoff a: Lee Elias | ||
Uptight (wolf) | w: Boltinoff p: Mortimer i: Abel | ||
Anatomy of a Romance | w: Friedlander
p: Estrada i: DeZuñiga |
Wednesday, May 13, 2015
Would You Believe Alan Riefe?
I had no idea Alan Riefe wrote for Dell, but the style on Get
Smart
#3-7 seemed familiar to me what with sound effects like Ker-blammo;
finally the penny
dropped when it reminded me of Riefe's run on Jerry
Lewis at DC and I compared lists.
Riefe goes on to write for paperbacks in the Seventies, some under his own name, some under pseudonyms, and some under house names, on detective and Western series. One earlier comics-related credit is as sole writer on one of those magazines adding funny speech balloons to news and Hollywood photos, 1964-65's three-issue Talking Pictures.
Issues 1-4 are full-length stories. "Quilt While Ahead" is a pun on "Quit While Ahead"; the latter is not the actual title. Dick Giordano is ghosting the pencils on Get Smart 1; Sal Trapani takes the sole signature in the run on that issue (two times if you count #8's reprint). Tony Tallarico does no work on Get Smart.
GET SMART
Riefe goes on to write for paperbacks in the Seventies, some under his own name, some under pseudonyms, and some under house names, on detective and Western series. One earlier comics-related credit is as sole writer on one of those magazines adding funny speech balloons to news and Hollywood photos, 1964-65's three-issue Talking Pictures.
Issues 1-4 are full-length stories. "Quilt While Ahead" is a pun on "Quit While Ahead"; the latter is not the actual title. Dick Giordano is ghosting the pencils on Get Smart 1; Sal Trapani takes the sole signature in the run on that issue (two times if you count #8's reprint). Tony Tallarico does no work on Get Smart.
GET SMART
June/66 | #1 | The Hairless Hound Caper | w: ?
p:
Dick Giordano i: Sal Trapani |
Sept/ | #2 | The Dumb Bunny | w: ?
p:
Steve Ditko i: Trapani |
Nov/ | #3 | The Nuclear Gumball Caper | w: Alan Riefe
p:
Ditko i: Trapani |
Jan/67 | #4 | The Great Baseball Caper | w: Riefe a: Henry Scarpelli |
Mar/ | #5 | The Great Fly Caper | w: Riefe a: Scarpelli |
Quilt While Ahead | w: Riefe a: Scarpelli | ||
The Double Purpose Porpoise Caper | w: Riefe a: Scarpelli | ||
Apr/ | #6 | The Kookie Kanine Kaper | w: Riefe a: Scarpelli |
The Captured Copter Caper | w: Riefe a: Scarpelli | ||
The Screwball Scooter Caper | w: Riefe a Scarpelli | ||
Aug/ | #7 | The 4000 Year Old Man Kaper | w: Riefe a: Scarpelli |
The Airborne Bathysphere Caper | w: Riefe a: Scarpelli | ||
The Infiltration Caper | w: Riefe a Scarpelli |
Wednesday, May 6, 2015
Who Expected This Artist Here?
Two stories among the Dick Giordano/Vince Colletta ones at
early-Sixties Timely-Atlas-Marvel have probably passed as Giordano's
pencil work because like his they whisper "Charlton" to the reader's
subconscious. For comparison with "No Dates for the Dance," the bottom
tier with a typical pose is
from the latter company's The
Young Doctors 1 (Jan/63), inked
by Vince Alascia.
Charles Nicholas otherwise last worked for Timely in the Forties. I don't know if you'd actually call this ghosting for Colletta, considering Dick Giordano got to sign some of his stories in the run. But I doubt editor Stan Lee directly poached Nicholas here. As Mark Evanier has pointed out (concerning Joe Orlando's bringing in Jerry Grandenetti's work), editors were probably just as happy to trust some artists like Orlando and Colletta to do all the work of subcontracting the pencils.
Charles Nicholas pencils, Vince Colletta inks
Love Romances
Teen-Age Romance
Charles Nicholas otherwise last worked for Timely in the Forties. I don't know if you'd actually call this ghosting for Colletta, considering Dick Giordano got to sign some of his stories in the run. But I doubt editor Stan Lee directly poached Nicholas here. As Mark Evanier has pointed out (concerning Joe Orlando's bringing in Jerry Grandenetti's work), editors were probably just as happy to trust some artists like Orlando and Colletta to do all the work of subcontracting the pencils.
Charles Nicholas pencils, Vince Colletta inks
Love Romances
Sep/60 | 89 | No Dates for the Dance |
Teen-Age Romance
Sep/60 | 77 | The Mistake of Mary Dixon |
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