Showing posts with label Gold Key writers. Show all posts
Showing posts with label Gold Key writers. Show all posts

Thursday, December 26, 2013

A Couple of Dick Wood Titles at Gold Key

Dick Wood wrote mainly (although not exclusively) for Gold Key in the Sixties. Having found his work on longer-running series like Star Trek, Voyage to the Bottom of the Sea, and Man from UNCLE, as well as the mystery books like Boris Karloff and Twilight Zone, as I go farther afield among the companie's titles I find a few more of his scripts.

Wood's extravagant expressions give him away; I'll lay a bet that "Great galloping Selenites" never figured in the shooting script of First Men in the Moon. There's the same sort of expression in the Lancer tier shown here.

First Men--'Great galloping Selenites', Lancer 3--'Blazing thunderballs'

Movie Comic is a title of convenience that never appears in the indicia and in fact on First Men doesn't even appear on the cover. That's an adaptation of the Ray Harryhausen movie of the H.G. Wells novel; Lancer presents original stories of the TV western with a ranch-and-family setup reminiscent of Bonanza.

Movie Comic

Mar/65 First Men in the Moon w: Dick Wood  a: Fred Fredericks

Lancer

Feb/69 #1  Circumstantial Evidence w: Wood  a: Luis Dominguez
June/     #2  The Diamond-Studded Steer w: Wood  a: Dominguez
Sept/     #3  The Water Rustlers w: Wood  a: Dominguez

Tuesday, September 3, 2013

Leo Dorfman, Total Warlord of M.A.R.S.

Leo Dorfman wrote the entire run of Gold Key's Total War/M.A.R.S. Patrol Total War. (M.A.R.S. is the Marine Attack Rescue Service, a four-man team vital in the fight against invaders on America soil).

Wally Wood has gotten the attribution for writing the first three issues, just as Jack Cole has for all his Plastic Man stories, but with no better reason than that he wrote some of his own work elsewhere. Could Wood have brought the concept and plots to Gold Key? Very possible, but who can say? The "new writer" finally identifies the invaders as extraterrestrials, which supposedly proves a point, but he doesn't do it in issue 4, the first with the new artists; he works his way up to confirming the fact in #5.

Here are tiers from issues 3, 4, and 9. Do you notice a similarity in writing style? There's also Dorfman's use of captions beginning with "As" quite a bit, and at least one siren going "Howeee."

3--In the next hair-raising moment... 4--But in the next desperate instant... 9--In the next catastrophic moment...

I'm not sure exactly how the Wood/Adkins art was broken down: if one did layouts, one complete pencils, one complete inks; or more likely nothing so clearcut. And of course others may have helped. The inks on the remaining issues seem to me to match up with Mike Peppe's on, say, Mike Sekowsky's pencils on Man from U.N.C.L.E. Most often Roy and Peppe worked as a team, like Andru and Esposito—but the only signature in the series, on the splash page of #10, is Roy's alone.

Total War written by Leo Dorfman

July/65 Target: America a: Wally Wood & Dan Adkins
Oct/     Sneak Attack a: Wood & Adkins
Breakthrough a: Wood & Adkins

M.A.R.S. Patrol Total War written by Dorfman

Sept/66 Operation Copperhead a: Wood & Adkins
Oct/67 Operation Deep-Freeze p: Mike Roy  i: Mike Peppe
May/68 Mystery Beachhead p: Roy  i: Peppe
Aug/     Operation Snake-in-the-Brass p: Roy  i: Peppe
Nov/     The Death Wind p: Roy  i: Peppe
Feb/69 Tomorrow Is Doomsday p: Roy  i: Peppe
May/     City under Fire p: Roy  i: Peppe
Aug/     10  The Dragon's Teeth p: Roy  i: Peppe?

Monday, April 2, 2012

Time Tunnel and Land of the Giants

Time Tunnel 1 splash: Tony Newman and Doug Phillips tumbling through time

On these two titles from Gold Key—tie-ins to science fiction TV shows produced by Irwin Allen—the writer credits are as straightforward as on Girl from UNCLE: one writer on each.

Art on both titles came from Tom Gill. I can't tell how much was contributed by John Verpoorten, who's known to have assisted Gill on Time Tunnel; Ted Galindo pencilled for Gill on Land of the Giants. The Time Tunnel covers were paintings by George Wilson; Giants used photo covers.

The Time Tunnel

Feb/67#1 The AssassinsPaul S. Newman
The Lion or the Volcano?Newman
Mars CountdownNewman
July/    #2 The ConquerorsNewman
The CaptivesNewman

Land of the Giants

Apr/68#1 The Mini-CriminalsDick Wood
Jan/69#2 Countdown to EscapeWood
Mar/    #3 Giant Damsel in DistressWood
June/    #4 Safari in GiantlandWood
Sep/    #5 Operation Mini-SurgeonWood

Monday, March 26, 2012

UNCLE Act II

With Gold Key's comic of the spin-off UNCLE series, and the back-ups, there are no surprises among the writers.

I can see Bill Lignante's art on Girl from UNCLE 3-5, but I don't see the same art as on the Phantom. Since Sparky Moore says he ghost-pencilled for Lignante, on at least some of the Phantom and on Secret Agent 1, those don't make a good example of full art by Lignante. On these panels from Girl 3 I wonder if I see Mike Peppe inks—for want of a better guess—on at least some faces.

April Dancer and Mark Slate on right of first panel

Girl from UNCLE Written by Paul S. Newman

Oct/66#1 The Fatal Accidents Affaira: Alden McWilliams
Apr/67#2 The Kid Commandos' Capera: McWilliams
June/67#3 The Captain Kidd Affaira?: Bill Lignante
Aug/67#4 The One-Way Tourist Affaira?: Lignante
Oct/67#5 The Harem-Scarem Affaira?: Lignante

Leopold Swift—Courier in Girl from UNCLE Written by Newman

Oct/67#5 Bubble-Troublea: Joe Certa

Jet Dream and Her Stunt Girl Counterspies in Man from UNCLE
Written by Dick Wood


July/66#7 The Spy in the Skyp: Mike Sekowsky  i: Mike Peppe
Sept/66#8 The Spider and the Spyp: Sekowsky  i: Peppe
Nov/66#9 The Super-Tiger of Targanp: Sekowsky  i: Peppe
Jan/67#10 Ting-a-Ling—Enemy Agentp: Sekowsky  i: ?
Mar/67#11 Death Plungea: Jack Sparling
May/67#12 The Powder-Puff Derby Capera: Certa
July/67#13 The Achilles Heelp: Sekowsky  i: Peppe
Sept/67#14 Splash-Down to Deatha: Certa
Nov/67#15 The Set-Up Sultana: Certa
Jan/68#16 Day of Infamya: Certa
Mar/68#17 The Farmer Brown Fiascoa: Certa
May/68#18 The Captive Jeta: Certa
July/68#19 Fall to Freedoma: Certa
Oct/68#20 Menace of the Feathered Warrriorsa: Certa
Apr/69#22 The Demon Dogfighta: Certa

Jet Dream Written by Wood


June/68#1 D-Day for the Generalissimoa: Certa

Friday, March 23, 2012

The Man from UNCLE Affair


on right: Alexander Waverly (Leo G. Carroll), Illya Kuryakin (David McCallum), Napoleon Solo (Robert Vaughn)

Above is a panel from Gold Key's The Man from UNCLE 3, pencilled by George Tuska.

Following up on Mark Evanier's comment about likenesses: although in some cases the license holders insisted on extra work for that fidelity, in other cases the contracts forbade comic books from using likenesses. After the comic book's first two issues, the powers-that-were recognized the popularity of David McCallum's character Illya Kuryakin, and so he and Leo G. Carroll's Alexander Waverly became recognizable in the comics. In those first issues, only Napoleon Solo's face was reinked or redrawn, for the sake of Robert Vaughn's likeness—as in the Tuska panels below, from #2.

panel 1: Solo (Vaughn) and generic Kuryakin; panel 2: Solo (Vaughn) and generic Waverly

On the entire series, it looks to me as if Mike Peppe inked more than the Sekowsky issues attributed to him previously; I'm not sure if #1-2, apart from the Solo faces, were inked by someone other than pencillers Heck and Tuska respectively. (Update: read Mark's comment on this post.)

If Marshall McClintock wrote the Man from UNCLE for Gold Key as the Who's Who says, he didn't do final scripts; they're all by Paul S. Newman or Dick Wood. Wood's are filled with his trademark exclamations such as "Great suffering Hannah." Wood errs in his first script, as many have, by referring to UNCLE as the United Network Command for Law Enforcement—it's the United Network Command for Law and Enforcement.

Man from UNCLE Written by Paul S. Newman

May/65#1 The Explosive Affairp: Don Heck  i: ?
Oct/65#2 The Fortune Cookie Affairp: George Tuska  i: ?

Written by Dick Wood, Inked by Mike Peppe

Nov/65#3 The Deadly Devices Affairp: pg. 1-26 Tuska, pg. 27-32 Heck
Jan/66#4 The Rip Van Solo Affairp: Werner Roth
Mar/66#5 The Ten Little Uncles Affairp: Heck
May/66#6 The Three Blind Mice Affairp: Mike Sekowsky
July/66#7 The Pixilated Puzzle Affairp: Sekowsky
Sept/66#8 The Floating People Affairp: Sekowsky
Nov/66#9 The Spirit of St. Louis Affairp: Sekowsky
Jan/67#10 The Trojan Horse Affairp: Sekowsky
Mar/67#11 The Three-Story Giant Affairp: Sekowsky
May/67#12 The Dead Man's Diary Affairp: Sekowsky
July/67#13 The Flying Clowns Affairp: Sekowsky
Sept/67#14 The Brain Drain Affairp: Sekowsky
Nov/67#15 The Animal Agents Affairp: Tom Gill
Jan/68#16 The Instant Disaster Affairp: Gill
Mar/68#17 The Deadly Visions Affairp: Mike Roy
May/68#18 The Alien Affairp: Roy
July/68#19 The Knight in Shining Armor Affairp: Roy
Oct/68#20 The Deep Freeze Affairp: Roy

The Man from UNCLE stories in #21 and 22 were reprints. #5-8 were reprinted in the British Man from UNCLE World Adventure Library in late 1966.

Friday, January 27, 2012

Adam-12 Writers

The two writers on Gold Key's TV tie-in Adam-12 are easy to tell apart by something that's used in almost every story about a police patrol car: sirens. Paul S. Newman's sirens go "Areeeee," John Warner's go "Whee-eeee." (How many times the letter e appears is changeable; I've seen "Areeee" as well from Newman. He wasn't counting as he hit the typewriter key, I'm sure.) There's also a certain amount of wheels skidding in a police-car series; Newman's go "Screech," Warner's "Scree-ee-ee." These siren panels are from each story in #2:

Adam-12 #2 panels: first story siren:'Areeeee', second story siren: 'Whee-eeee'

Art is by Jack Sparling except for the first issue, which is by Mike Roy. All issues have photo covers, and after #1 they incorporate pencil-and-ink images by Sparling taken from the stories.

Adam-12 Writers

Oct/73#1 The Wild WheelersPaul S. Newman
False AlarmNewman
Feb/74#2 Assassin's TargetNewman
The Lady and the LandlordJohn David Warner
May/74#3 Reason to LiveWarner
The ExperimentWarner
Aug/74#4 Gang WarWarner
Heat WaveWarner
Nov/74#5 But Not in Real LifeNewman
Satan's ChildrenNewman
Mar/75#6 Finger ManNewman
Behind the MaskNewman
May/75#7 The Old GuardNewman
Trouble in TowNewman
Aug/75#8 The CarnivalWarner
Help, MurderNewman
Nov/75#9 The TorchNewman
Smart AlecNewman
Feb/76#10 A Double LifeNewman
One Wild NightNewman

Monday, January 23, 2012

Twilight Zone 11-15 Writers

"Way Out West—On Mars" in Gold Key's Twilight Zone 13 lifts the plot of Ray Bradbury's short story "Mars Is Heaven!"

TZ 13 'Way Out West--On Mars' tiers: 'The four from Earth move forward...into a realm that should be 35 million miles away...'

The art attributions are on the Grand Comics Database. I don't see myself how Reed Crandall's art looks any different on "Way Out West" than on any other story he inked himself; naming Alden McWilliams as inker strikes me as way out of left field. And "Moment of Decision," as I said last week, is pencilled by Jerry Grandenetti, inked by Bill Draut and Joe Orlando.

"TZ 3" is a writer who will show up in later TZ issues and in Boris Karloff Tales of Mystery on more four-page "strange but true" stories.

The Twilight Zone 11-15 Writers

May/65#11 The GremlinsDick Wood
The Island VisionWood
The Wanted One *Wood
(Wanted...Alive!) Doomsday in DustervilleWood
Ghost Ship of the SkiesWood
The Vision *Wood
Aug/65#12 The Shadow with ClawsLeo Dorfman
The Revolt of the MachinesDorfman
The Voice in the Mist *Dorfman
They Dwell among UsDorfman
Nov/65#13 The Man Who Could Read the FutureWood
The Man with My FaceWood
Way Out West—On MarsWood
Feb/66#14 The Day That VanishedWood
The Death Car"TZ 3"
The Lost GeniusWood
The Lost OasisDorfman
A Nightmare Tale *     ?
May/66#15 Moment of DecisionWood
Wipe Out the FuturePaul S. Newman
The Wheel of Light *Dorfman
Perfect PreservationWood
The Vision of MystirDorfman
The Prophet *     ?
(* single-page stories)

Leo Dorfman names a character Mystir at least one more time: in "The Voodoo Doom of Superman" in Action Comics 413 (June/72)--a story for which he was credited only in the letter column in 417.

Wednesday, January 4, 2012

Explorers in the Unknown

This Gold Key series about the spaceship Hunter I, the back-up in Voyage to the Bottom of the Sea, serves as a dress rehearsal for the company's Star Trek for writer Dick Wood, artists Alberto Giolitti and company, Nevio Zecarra, and José Delbo. Star Trek 1 was cover-dated the month after Voyage 9.

Delbo's work here went unrecognized for a few decades. Here's a panel from his story.

Voyage 15 Explorers panel

Only the Explorers back-up story is new in issue 15; the Voyage to the Bottom of the Sea story is a reprint.

Explorers in the Unknown—written by Dick Woodin Voyage to the Bottom of the Sea

Nov/66#6 Manhunt in SpaceGiolitti Studio
Feb/67#7 The Demons of the Deep SpaceNevio Zeccara
May/67#8 The Hostile AsteroidZeccara
Aug/67#9 The Graveyard of SpaceZeccara
Nov/67#10 Mystery of the Magnetized Planet Chapter IIZeccara
Feb/68#11 Mystery of the Magnetized Planet Chapter III: Uncertain Lift-OffZeccara
May/68#12 Prisoners of the "Jelly" PlanetZeccara
Aug/68#13 Chapter II: Prisoners of the "Jelly" PlanetZeccara
Nov/68#14 Prisoners of the Jelly Planet—Chapter 3Zeccara
June/69#15 Runaway AsteroidJosé Delbo

Friday, December 30, 2011

Twilight Zone 1-10 writers

identical Rod Serling heads from TZ 3 stories, 'The Last Battle' and 'The Queen Is Dead'

This list indexes the writers of the first ten Gold Key issues of The Twilight Zone. There were four earlier issues, which I've yet to see, published by Dell in 1961-62; Gold Key restarted the numbering with #1.

Those cited by the Who's Who as writing mystery stories in the early Sixties for Western (which would include the Dell TZs, then Boris Karloff as well as TZ, at Gold Key) include Leo Cheney, Royal Cole, and Marshall McClintock. There are no specific stories they're known to have done, so I can't match up the unknown writers' styles with particular authors.

Technically one story in each issue is not a Twilight Zone; there's no logo, no appearance by Rod Serling, and the copyright owner is Western rather than the TV production company, Cayuga.

A stat of Rod Serling's head was used in any number of stories beginning with the third issue. Above, on the left, is the head's first appearance, in a Mike Sekowsky story—and I don't think the head itself is by Sekowsky—then, on the right, it's definitely a stat in an Alex Toth story. Below are two examples from Frank Thorne stories; in earlier ones, he got to draw Serling.

identical Rod Serling heads from TZ 10 stories, 'Lost Acre' and 'Demon Light'

The art attributions are on the Grand Comics Database.

The Twilight Zone Writers

Nov/62#1 Perilous Journey"TZ 1"
Do Not Touch Exhibit"TZ 1"
Voyage to NowhereLeo Dorfman
Feb/63#2 The Lost Colonie"TZ 2"
Journey into JeopardyDorfman
The Ray of PhobosDorfman
May/63#3 The Last Battle"TZ 2"
Birds of a Feather"TZ 2"
The Queen Is Dead—Long Live the Queen"TZ 2"
Aug/63#4 The Secret of the Key"TZ 2"
Experiment in Purple"TZ 2"
The Captive"TZ 2"
The Ordeal of Bluebird 3"TZ 2"
Nov/63#5 The Legacy of Hans BurkelDorfman
Poor Little SylvesterDorfman
The Shadow of FateDorfman
The Fortune HuntersDorfman
Feb/64#6 Captives of the MirageDick Wood
The Night People of LondonWood
The Last Sixty SecondsWood
May/64#7 The Shield of MedusaWood
The Menace from Out ThereWood
The Man Who Haunted HimselfWood
Aug/64#8 Hamilton's CreatureWood
The Night Striker of ParisWood
Iron Man No. 1"TZ 2"
Nov/64#9 The Street Where Evil DweltWood
The Doom Days    ?
Creatures on CanvasWood
Feb/65#10 The Bewitching WindowWood
Lost AcreWood
The Patient Workers *Wood
The Demon LightWood
The Mystic BookWood
The Midas Wheel *Wood
(* single-page stories)

Monday, December 12, 2011

Gold Key Star Trek Writers

ST 22 panel--Spock: 'Have you ever heard of a 'black hole,' Captain?' Kirk: 'I'm afraid not, Mr. Spock! Please explain!'
In the second issue of The Monster Times (Feb/72), Len Wein listed his writing credits on Gold Key's Star Trek, mentioning that the writer before him was Dick Wood. The list included all the stories Wein had submitted, even if some hadn't been published yet; all soon were. Wood wrote #1-8, Wein #9-16. Gold Key started running credits with #47. This list gives the writers of #17-46, going by their styles.

The Comic Reader 96 (Apr/73) says that John Warner "...reports doing...some Star Trek stories with some rather familiar people cameoing." Two crewmen in ST 21 are named Levitz and Asherman, after Paul Levitz, then the publisher of TCR, and Allan Asherman, new to DC's editorial staff (and later author of The Star Trek Compendium).

To repeat the gist of an earlier post, #22's "Siege in Superspace" is a sequel to two credited Boudreau science fiction war back-ups in DC's Star Spangled War Stories. The panel above, with 23rd century starship captain Kirk ignorant of black holes (standing in for the 1974 reader about to get some exposition), is from that story.

Gold Key Star Trek Writers

Mar/73#17 The Cosmic CavemenArnold Drake
May/73#18 The Hijacked PlanetDrake
July/73#19 The Haunted AsteroidDrake
Sep/73#20 A World Gone MadDrake
Nov/73#21 The Mummies of Heitius VIIJohn David Warner
Jan/74#22 Siege in SuperspaceGerry Boudreau
Mar/74#23 Child's PlayBoudreau
May/74#24 The Trial of Captain KirkDrake
July/74#25 Dwarf PlanetDrake
Sep/74#26 The Perfect DreamWarner
Nov/74#27 Ice JourneyWarner
Jan/75#28 The Mimicking MenaceGeorge Kashdan
Mar/75#29 [reprints #1][Dick Wood]
May/75#30 Death of a StarAllan Moniz
July/75#31 The Final TruthWarner
Aug/75#32 The Animal PeopleDrake
Sep/75#33 The ChoiceMoniz
Oct/75#34 The PsychoCrystalsDrake
Nov/75#35 [reprints #4] [Wood]
Mar/76#36 A Bomb in TimeDrake
May/76#37 [reprints #5] [Wood]
July/76#38 One of Our Captains Is MissingDrake
Aug/76#39 Prophet of PeaceDrake
Sep/76#40 Furlough to FuryDrake
Nov/76#41 The EvictorsDrake
Jan/77#42 World against Time Drake
Feb/77#43 The World beneath the Waves Drake
May/77#44 Prince TraitorDrake
July/77#45 [reprints #7] [Wood]
Aug/77#46 Mr. OracleDrake

Drake, Kashdan, and Warner continued writing, with credit lines, from #47 to 61. The Gold Key run lasted, by cover date, from July/67 to Mar/79.

Friday, November 18, 2011

Dark Shadows Writers: Full Update

Updating my earlier post, here's a writers' index of the entire run of Gold Key's Dark Shadows; thanks go to darkmark for my seeing the issues filling in the first half of the list. The artist was Joe Certa.

Dark Shadows 8 panel with dialogue: '...have you read Arneson's account of witchcraft and voodooism in New England?'

D. J. Arneson had an uninterrupted 17-issue tenure on the feature (and then one more issue). This article by Jeff Thompson quotes editor Wallace Green on  how, after finishing the first issue's script, Arneson had to hustle with six more pages—they went with an epilogue instead of a second story—when it was decided to publish the issue with no ads.

Arneson is probably best known for graphic novels (as they had yet to be labeled in the Sixties) like The Great Society Comic Book, bylined along with artist Tony Tallarico. With Bill Fraccio's and Tallarico's art at Dell, he wrote the monster superheroes, Frankenstein, Dracula, and Werewolf; I misattributed those books' uncredited scripting some time ago to Don Segall.

To touch very briefly upon writers' styles here, when the scream "Augh" appears for the first time in the series in issue 18, I know that John Warner has come aboard; he's the only one of these four early-70s Gold Key writers to use that particular exclamation (although not in his every issue).

The issue numbers in boldface indicate the ones new to this update.

Dark Shadows Writers

Mar/69#1 The Vampire's PreyD. J. Arneson
Aug/69#2 The Fires of DarknessArneson
Nov/69#3 Return for RevengeArneson
Feb/70#4 The Man Who Could Not DieArneson
May/70#5 The Curse of Collins IsleArneson
Aug/70#6 Awake to EvilArneson
Nov/70#7 Wings of FearArneson
Feb/71#8 The Vampire TrapArneson
May/71#9 Creatures in TormentArneson
Aug/71#10 Souls in BondageArneson
Nov/71#11 The Thirteenth StarArneson
Feb/72#12 The GloveArneson
Apr/72#13 HellfireArneson
Jun/72#14 The Mystic PaintingArneson
Aug/72#15 The Night ChildrenArneson
Oct/72#16 The ScarabArneson
Dec/72#17 The Bride of Barnabas CollinsArneson
Feb/73#18 Guest in the HouseJohn David Warner
Apr/73#19 Island of Eternal LifeArneson
Jun/73#20 Quentin the VampireWarner
Aug/73#21 The Crimson CarnivalGerry Boudreau
Oct/73#22 Seed of EvilArnold Drake
Dec/73#23 The Cult of the DasniWarner
Feb/74#24 On Borrowed BloodDrake
Apr/74#25 The ImmortalWarner
Jun/74#26 The Witch DollsDrake
Aug/74#27 My Blood or YoursDrake
Oct/74#28 The VisitorWarner
Dec74#29 Stolen CenturiesWarner
Feb/75#30 The Weekend Witch HuntersDrake
May/75#31 The Doom of Helgi KolnissonWarner
Jun/75#32 The Secret of the LighthouseWarner
Aug/75#33 King of the WolvesDrake
Nov/75#34 Collinwood PossessedWarner
Feb/76#35 The Missing ManuscriptWarner

Wednesday, August 31, 2011

Mighty Samson 1970s Index

The original run of Mighty Samson, from 1964 to 1969, was written entirely by Otto Binder—both Samson and backup Tom Morrow stories. Frank Thorne drew issues 1-7's Samson stories, Jack Sparling the Samson and Tom Morrow in issues 8-20; Mike Sekowsky pencilled and Mike Peppe inked the first Tom Morrow story in 7. Mo Gollub (among others?) painted the covers of issues 1-4, and George Wilson those of 5-20.

21, 22, and 32 were reprint issues.

1970s Mighty Samson Revival Writers and Artists

Mar/74#23 In the Country of the Blindw: Gerry Boudreau
a: José Delbo
Jun/74#24 The Manchu of C'nal Streetw: Boudreau
a: Delbo & Jack Abel
Sep/74#25 The Fugitivesw: Boudreau
a: Delbo & Abel
Dec/74#26 The Pollution Peoplew: Boudreau
a: Delbo & Abel
Mar/75#27 Noah's Arkw: Allan Moniz
a: Delbo & Abel
Jun/75#28 Samson's Mastersw: Paul S. Newman
a: Abel
Sep/75#29 Journey into the Pastw: John David Warner
a: Abel
Dec/75#30 The Balloon Godsw: Arnold Drake
a: Abel
Mar/76#31 The Attack of the Lepidop-Terrorw: Drake
a: Abel
in Gold Key Champion

May/78#2 The Night Glowersw: Drake
a: Don Heck

The covers of 23, 24, and GK Champion 2 were painted by George Wilson; those of 25-31 by Luis Dominguez.

The Comic Reader 96 (Apr/73) said "...Mighty Samson is returning to the stands in a new title by Gerry Boudreau and José Delbo...", meaning 23. Issues 28-30 contain writer and artist credits. The rest of the credits here are my IDs of the respective styles.

Mighty Samson 25 page; pencils: Delbo, inks: Abel

The Grand Comics Database credits Abel with writing 23, nobody with pencilling, and Delbo with inking.  The GCD says that art experts see Delbo ghost-pencilling for Abel on 28, but 24-27 (a page from 25 is shown here) are the ones where I see Abel's inks, and they let a lot of Delbo's pencils show through. Abel's style overwhelms 28, if there's anybody but himself to overwhelm.

Thursday, July 28, 2011

Doctor Strange-Dark Shadows Crossover

In the first issue of Doctor Strange's own title, an anti-sorcery zealot, Silver Dagger, stabs the Master of the Mystic Arts near-fatally. Stephen Strange is pulled into the Orb of Agamotto and a world of unreality between life and death, where the first thing he meets is a sarcastic caterpillar atop a mushroom. After Strange dies but gets better, he returns to his Greenwich Village sanctum. There, in Doctor Strange 5, December 1974, he confronts Silver Dagger with the Eye of Agamotto, counterpart to the Orb. (Story, Steve Englehart; pencils, Frank Brunner; inks, Dick Giordano; publisher: Marvel Comics.)

Silver Dagger is pulled into Agamotto's realm of unreality, to converse with the Caterpillar forever

The vampire Barnabas Collins fought the Viking wizard Morath in the past in Dark Shadows 31. At the end, when "the force of his once good nature" was released from his familiar, Morath was left "now and forever locked in combat with himself, and senseless to the world." In issue 34, November 1975, it's revealed that the contact with his materialized good side "flung his spirit into a dimension of unreality, a limbo between life and death." (Story, John David Warner; pencils: Joe Certa; inks: Frank Bolle?; publisher: Gold Key.)

Morath, in a realm of unreality, encounters the Caterpillar and his companion; then escapes through the Orb of Agamotto into Greenwich village and encounters a young woman who calls for 'Stephen'

We never see "Stephen." The scene shifts abruptly on the next page as Morath leaves to seek out Barnabas in the present; "The startled woman received no explanation!" the caption notes.

Reading this story when it came out a year after the Doctor Strange one, I recognized the flip-talking caterpillar, and Clea despite miscolored hair. It wasn't until I just now looked at the stories together that I realized the mustached man playing chess with the caterpillar would be Silver Dagger. Obviously Warner didn't explain the in-joke in the script, let alone send Doctor Strange pages as references, for fear of the editors' cutting it.

Dr. Strange 5 and Dark Shadows 34 covers

Dark Shadows Writers


Aug/69#2 The Fires of DarknessD. J. Arneson
May/70#5 The Curse of Collins IsleArneson
Aug/70#6 Awake to EvilArneson
Nov/70#7 Wings of FearArneson
Feb/72#12 The GloveArneson
Aug/72#15 The Night ChildrenArneson
Apr/73#19 Island of Eternal LifeArneson
Jun/73#20 Quentin the VampireJohn David Warner
Aug/73#21 The Crimson CarnivalGerry Boudreau
Oct/73#22 Seed of EvilArnold Drake
Dec/73#23 The Cult of the DasniWarner
Feb/74#24 On Borrowed BloodDrake
Apr/74#25 The ImmortalWarner
Jun/74#26 The Witch DollsDrake
Aug/74#27 My Blood or YoursDrake
Oct/74#28 The VisitorWarner
Dec74#29 Stolen CenturiesWarner
Feb/75#30 The Weekend Witch HuntersDrake
May/75#31 The Doom of Helgi KolnissonWarner
Jun/75#32 The Secret of the LighthouseWarner
Aug/75#33 King of the WolvesDrake
Nov/75#34 Collinwood PossessedWarner
Feb/76#35 The Missing ManuscriptWarner

I started collecting the title with #19 and filled in only six earlier issues; I don't expect to get any more at TV collectible prices now. This sampling suggests that Arneson (who wrote the DS Story Digest) might have started as the sole writer on the title.

The Comic Reader 96 (Apr/73) said that "Gerry Boudreau has a few Dark Shadows coming up, including a Rutland story in #24," but there is no DS Rutland story. Gold Key didn't publish a story set at the Vermont super-heroes parade until Don Glut wrote one for Dr. Spektor.

To quickly point out a few clues to the writers: #22, 24, 26, and 30 contain the scream "Ayeee" in various spellings, something used only by Drake among the writers working for Gold Key at the time. #27 and 33 use his "Owwff." On the other hand, "Augh" in #23, 25, and 29 is used by John Warner. #23, speaking of in-jokes, presents the magic spells "Hama-Ka-lu-ta" and "In-a-gada-de-vida."

The entire series was pencilled by Joe Certa. The first seven issues' covers are photos of the TV series star, Jonathan Frid. The covers I have from then on are paintings by George Wilson, who does them through #28 and 30. #29 and 31-35 have line-art covers by Certa.

It looks to me as if Joe Certa does not generally ink himself here, as he did on Martian Manhunter at DC and so forth. I see Frank Bolle inks on some issues and George Roussos inks on others.