Thursday, December 11, 2014

Not the Two-Gun Kid


Crack Western 72--The Ghost of Grim Gulch

At Quality, Chuck Winter had a four-issue run in Buccaneers, as I posted here. He had twice that in Crack Western on Two-Gun Lil.

On the first four stories I'm taking the Grand Comics Database artist attributions as a start. I think I see three artists among the first four stories (the same one on #64 and 65). Leo Morey is known to have worked on the series, but I can't match him up from his signed stories at ACG a decade later; it may be that he's being inked by other hands here.

Two-Gun Lil in Crack Western

Nov/49 63  She Was Ready w: Joe Millard  a: Charles    Sultan?
Jan/50 64  The Forbidden Star w: ?  a: Leo Morey?
Mar/     65  The Dance Hall of Death w: ?  a: Morey?
May/     66  Even Frontier Terrorists Can Learn w: ?  a: ?
Jul/     67  Two-Gun Lil Votes against Lynch Law w: ?  a: Pete Riss
Sep/     68  Two-Gun Lil Conquers Western Crime w: ?  a: Riss
Nov/     69  Hot-Lead Two-Step w: Millard  a: Chuck Winter
Jan/51 70  The Taming of Big Bat McGrew w: Millard  a: Winter
Mar/     71  A Bargain in Bullets w: Millard  a: Winter
May/     72  The Ghost of Grim Gulch w: Millard  a: Winter
Jul/     73  Six-Guns from the Sky w: Millard  a: Winter
Sep/     74  Gun Trouble in Paradise w: Millard  a: Winter
Nov/     75  The Vultures of Goldhill w: Millard  a: Winter
Jan/52 76  The End of the Owlhoot Trail w: Millard  a: Winter
Mar/     77  A Heart as Big as a House w: ?  a: Pete Morisi
May/     78  Once upon a Time There Were Three Bassett Brothers w: Robert Bernstein  a:   Morisi
Sep/     80  The Murder on Stage w: Bernstein  a: Morisi
Nov/     81  The Target Is Two-Gun Lil w: Bernstein  a: Morisi
Jan/53  82  Target of Hot Lead w: Bernstein  a: Morisi
Mar/     83  The Fiend in Knee Pants w: Bernstein  p: John Forte     i: ?
May/     84  The Kissing Monster w: Bernstein  a: Edmond    Good

Thursday, December 4, 2014

Dick Wood at Charlton, 1956

Dick Wood was credited for scripts at Charlton, but that was in 1969. He had a run of Phantom stories just after the company took over the title from King Comics. Those may have been inventory scripts, or Charlton may have hired him for his familiarity with the character; three of his scripts were illustrated by Charlton artists like Jim Aparo. The fourth, the only one drawn there by Bill Lignante, I'd imagine was completed at King and so looks an inventory story on all counts. But to paraphrase Arlo Guthrie, that's not what I'm here to talk about.

I'm here to talk about 1956.

Blue Beetle in Nature Boy 3--'Jumping cats!'

Scanning Charlton's Fifties output for Carl Memling stories, I couldn't help seeing some by Dick Wood; his style is so colorful: "Great suffering Hannah!" or in the case above, "Jumping cats!" I find a handful of his stories, all in the one year. Before anyone asks, I haven't IDed the writer on the four other new Blue Beetle stories of the period, in BB 20 and 21 (June and August, 1955).

Dick Wood 1950s Charlton Scripts

Blue Beetle
in Nature Boy


Mar/56 Unmasked p: Charles Nicholas  i: Sal Trapani

anthology stories:
Out of This World


Aug/56 The Mission from Outer Space a:  Nicholas

Racket Squad in Action

Feb/56 20  The Portrait Racketeers p: Bill Molno  i: Trapani

Strange Suspense Stories

Aug/56 30  Lost Child p: Molno  i: Trapani

Friday, November 28, 2014

An Unheralded Sixties Marvel Artist

There are a number of comics at companies like Dell and Tower in the Sixties where Joe Giella shares the inking with Frank Giacoia—most noticeably over Mike Sekowsky's pencils, but with other pencillers as well. The publishers don't give credits to anyone on those stories.

On his work with Giacoia at mid-Sixties Marvel, Giella goes uncredited. Giacoia gets the credit (as "Frank Ray") when inking credit is given; the four girls' titles, Patsy Walker's and Millie the Model's, are the last to switch over to more than just writer and penciller signatures, in 1965.

There are some shake-ups in the art on Patsy Walker and Patsy and Hedy before this: Stan Goldberg and Sol Brodsky pinch-hitting for Al Hartley on pencils, for instance (Brodsky pencils PW 120 and 121 below, but Hartley returns for the others). Inkers such as Chic Stone and Vince Colletta come aboard for a few issues—it took Nick Caputo's ID of Stone on the GCD to place that artist for me on the feature; no problems with recognizing Colletta! I'd agree that the inking on P & H 101 is John Tartaglione's, so it's skipped below.

It looks as if Giella inks the majority of pages on all of these issues save P & H 102. I think I might see a few Giella pages where one close-up face has been inked by Giacoia, whose inks editor Stan Lee was no doubt expecting to see somewhere. Al Hartley's pencils manage to show through Giella's inks, but some of Sol Brodsky's pages might as well be pencilled by Giella himself in the Sheldon Moldoff style; these pages with their Bob Kane hands are from Patsy Walker 121.

Patsy Walker 121

Joe Giella does do some credited inking for Marvel a decade later, and in fact shares the inking credits with Frank Giacioa on Power Man 35 (Sep/76).

Joe Giella and Frank Giacoia inks
on Patsy Walker


Apr/65 120  What Can We Do about Nancy Brown?
Jun/     121  Another Spring, Another City, Another Love
Aug/     122  No Greater Love
Oct/     123  Don't Leave Me, My Love

on Patsy and Hedy

Jun/65 100  When a Girl Becomes...a Woman
Oct/     102  So Much Love, So Few Kisses [mostly Giacoia]
Aug/     103  Love's Finest Hour

Thursday, November 20, 2014

More Charlton Crime from Carl Memling

You'd imagine that Charlton's Racket Squad in Action would be the least objectionable of the crime comics, its subject matter being swindles rather than injuries to the eye or Tommy-gun massacres. I'm sure Frederick Wertham considered it a how-to manual, however; and certainly Charlton put out enough other material sitting there smoking and saying, "What are you gonna do? Comics-Code me?"


Walter B. Gibson is listed as assistant editor on issues 1-9. Although so far I've concentrated on finding Carl Memling's stories, it strikes me that Gibson could have written all the stories in #1-7 as well as "The Fake Bond Swindle" in #9.

Carl Memling turns out to be Charlton's main writer from mid-1953 into early 1955 by cover dates. (He’s well-represented in their horror comics too.) There are other writers; in Racket Squad 13, "Malignant Model Agency" and "The Basketball Scandals" are by the same person, whoever that may be. Ken Fitch is known to have written Racket Squad in 1955-56. Joe Gill starts writing for the title in 1956 (it did survive under the Code) and is its sole comics writer by the last issue, #29, in 1958.

Carl Memling Scripts in
Racket Squad in Action


Aug/53 In the Driver's Seat
The Death Notice Racket
Hush Money
The Misery Chiselers
Oct/     Two Fisted Fix
Reverse Twist
Letter Perfect
Jan/54 10  Stamp of Guilt
A Handful of Aces
When Two Thieves Meet
Door to Door Swindle
The Stradivarius Swindle
M-J/    11  Botticelli of the Bangtails
Photo Frame-Up
A-S/     12  Robbery by Appointment
The Ransom Swindle
Refund Artist
Protection Game
O-N/     13  Your Money or Your Face!
Hot Ice
A Case for the Police
Free Pick-Up
Jan/55 14  The Big Freeze
Shakedown
The Double-Talk-Artists
Mar/     15  Limited Edition
Blackmail
Double Trouble

Thursday, November 13, 2014

The Ghost in Operation Bikini

"Operation Bikini," a 1963 AIP movie with Frankie Avalon, might sound like a Beach Party movie, but it came out before the first of that series; it was a World War II frogmen story. Until 1946 and the A-bomb tests there inspired a name for the new "atomic" swimsuit style, "Bikini" would have meant only the Pacific atoll. (AIP's publicity department didn't let that bother them for the posters.)

A number of the Movie Classics (and other Dell titles) included among their artists combinations of Vince Colletta, Dick Giordano, Joe Sinnott, John Tartaglione, Frank McLaughlin, Sal Trapani, and various Trapani ghosts. Operation Bikini (Oct/63) most obviously features Colletta's inks on the entire issue.

I can tell myself that I see a few Giordano poses or faces on later pages. That may just be because I expect to see him there, but certainly there were multi-artist jams among this loose group of artists at Dell. His deciding the poses would make those pages his pencils, of course, not inks. On one or two of the later pages I could admit the possibility of pencils by, say, Sinnott.

Most pages' pencils, though, belong to none of that group, it seems to me. Giordano or Sinnott's pencils usually show better through Colletta's inks, overwhelming as the inks are. There's one touch that I don't recall seeing Sinnott or Giordano use that made me consider a particular artist.

Operation Bikini, Daniel Boone 6, AITU 146

I believe the penciller on most of the book, certainly the first part, is Sam Citron. Note the distinctive motion lines around the head of Malone in the second panel of the Dell page. Compare with the same from "Menace of the Renegades" in Quality's Exploits of Daniel Boone 6 (Sept/56).  And see the lines used to indicate not head-swiveling but confusion in "Strange Planet" from ACG's Adventures into the Unknown 146 (Feb/64). On the latter story, Citron's pencils are credited (Pete Costanza is the inker).

At least those various artists' Dells would give indexers something to pore over for half a century—and beyond...

Wednesday, November 5, 2014

Blackhawk Backups 1956


Blackhawk 101 Baron von Richtofen
For their final year publishing comic books, Quality dropped the Chop-Chop reprints in Blackhawk as of #95 and instituted a series of aviation backup stories; "Rescue from the Sky" concerns civilian aviation, but after that they're all military-related.

The art credits are straightforward: Sam Citron on all. He was Quality's artist of choice that year on Robin Hood Tales, and inked others into his look on Exploits of Daniel Boone.

The writers are the Blackhawk writers and, in point of fact, the remaining Quality writers. For what it's worth, the Who's Who lists John Broome, of all people, on 1956 Blackhawk backups, but I can't see him on the any of the three I haven't been able to attribute to Bernstein or Millard.

Blackhawk Backups 1956
Art by Sam Citron


Jan/56 96  Rescue from the Sky w: ?
Feb/    97  War in the Sky w: Joe Millard
Mar/    98  David and Goliath in the Sky w: Millard
Apr/    99  Fear and Flight w: ?
May/    100  The Ghost Plane w: Robert Bernstein
June/    101  The Incredible Exploits of Baron von Richtofen w:  ?
July/    102  Critical Target w: Bernstein
Aug/    103  Fighter for Freedom w: Bernstein
Sept/    104  Caged w: Bernstein
Oct/     105  Winged Menace w: Bernstein
Nov/     106  Sam's Sixth Sense w: Bernstein
Dec/     107  Red Helicopter Ambush w: Bernstein

Thursday, October 30, 2014

Joe Shuster's Charlton Ghost

Bill Molno was a Charlton mainstay for a decade or more on the anthology books; I see his occasional series entries mostly on the Westerns. Unless I've missed earlier stories, his debut at the company in 1954 was ghost pencils for Joe Shuster. Mark Evanier gives Dick Giordano's explanation of the ghosting in a comment on the previous post .

Here's a page from "The Well of Fear" in Strange Suspense Stories 21 compared with one from about three and a half years later—after Joe Shuster's credits are long gone—"The House of Man," Out of This World 7 (Feb/58). Molno is inking himself on this one
Strange Suspense Stories 21 and Out of This World 7
There are a few more stories with Shuster's credit at Charlton that I haven't seen—hot rod ones, for instance. Unsigned 1954 stories penciled by Molno and inked by others include "Food for Thought" (SSS 20, Aug), "Who Will He Be?" and "This Bite Is Sweet" (SSS 21, Sept), "Mental Wizard" and, possibly, "The Crusher" (The Thing 16, Sept), and "Where Do They Lurk?" (This Magazine Is Haunted 19, Aug). I mention them thinking of the uncredited Jerry Grandenetti pieces in the mid-Sixties that have been misattributed to Joe Orlando, for whom he was ghosting elsewhere at the time. There are other "Shuster" stories in the GCD that could be looked at a second time.

Bill Molno Stories Ghost-Penciling for Joe Shuster
(Inked by Ray Osrin except as noted)

Crime and Justice


July/54 19  The Death Watch [RADIO PATROL]
Sep/     20  The Anniversary Gift [MR & MRS CHASE]
A Deadly Circle [RADIO PATROL]
Nov/     21  The $64,000 Question [MR & MRS CHASE]
Road Pirates
Finale for Fingers

Racket Squad in Action


A-S/54 12  Robbery by Appointment
The Ransom Swindle
Protection Game
O-N/     13  Malignant Model Agency
The Basketball Scandals

Space Adventures


M-J/54 11  Interplanetary Safari (inked by Dick Giordano)

Strange Suspense Stories


July/54 19  Give Back My Body (no inker signature)
Sept/     21  The Well of Fear
Nov/     22  The Secret of the Box

The Thing

Sept/54 16  Death of a Gambler (inked by Vince Alascia)

This Magazine Is Haunted

July/54 18  The Last Earl (inked by John Belfi)
Sept/    20  Quest of the Beyond