Thursday, November 24, 2022
Andru & Esposito? (I've Burned Myself on IDing Them Earlier)
I let myself see Ross Andru and Mike Esposito on Dell's Monkees #1 but at least after "Lee" and Mark Evanier correctly suggested Mo Marcus, that led me to more Marcus IDs elsewhere. If anyone has a better idea on this funny animal art than Andru and Esposito, I'd be gratified to hear it.
"Outboxed the Boxer," the first story in Tom Cat #4, April/56--the first issue; yes, Charlton, why do you ask?--is drawn in a style not used in the other stories in that issue or the rest of the 5-issue run. The later issues are by Al Fago, who signs a cover and a story, and perhaps other artists in his style.
With the wildly different, comparatively "realistic" style of this first story, I'd think that it was another one of those examples of Charlton's buying up the inventory of a defunct company, but the writer, whoever it may be--"Ngaaa!" and Kurrash--continues on the feature throughout the run.
I'm guessing Andru and Esposito more by the inks than the pencils. Although this is a comical comic book, the figures aren't in the industry-wide "make it look like Mad but not anything actually like the Mad artists" style that Andru used on Get Lost.
Wednesday, November 2, 2022
Robert Bernstein Continues on Crime Does Not Pay
Here's Robert Bernstein's next couple of years writing for Crime
Does Not Pay for Lev Gleason. I hadn't convinced myself
of his writing the Who Dunnit? story in #70 when I did the first list.
CDNP closes out 1950 with #94, but I don't see Bernstein work in those last issues of the year.
As I was looking for Bernstein stories I found a couple by Carl Wessler that didn't get to the CGD from his records. In this tier from "Jack Rosca," note the exclamation that I haven't seen Robert Bernstein ever use.
Crime Does Not Pay Anthology Stories
1949-50
Written by Robert Bernstein
Written by Carl Wessler
CDNP closes out 1950 with #94, but I don't see Bernstein work in those last issues of the year.
As I was looking for Bernstein stories I found a couple by Carl Wessler that didn't get to the CGD from his records. In this tier from "Jack Rosca," note the exclamation that I haven't seen Robert Bernstein ever use.
Crime Does Not Pay Anthology Stories
1949-50
Written by Robert Bernstein
| Dec/48 | 70 | Who Dunnit? |
| Jan/49 | 71 | Hank Charters |
| Feb/ | 72 | Craig Denby, the Movie-Struck Egomaniac |
| Andy Yole | ||
| Mar/ | 73 | Dennis Mayhew and Everett Johns |
| May/ | 75 | Who Dunnit? |
| June/ | 76 | Clarence Reese, the Hero-Worshipper |
| Who Dunnit? | ||
| July/ | 77 | Sheriff Ted Benton |
| Aug/ | 78 | Who Dunnit? |
| Sep/ | 79 | Spike Spitz |
| Who Dunnit? | ||
| Frankie Darrell vs. Lieutenant Jim Scott | ||
| Oct/ | 80 | Vince Grey |
| The Black Panther Murder Case [WHO DUNNIT?] | ||
| Dec/ | 82 | Death in the Hobo Jungle |
| Who Dunnit? | ||
| Jan/50 | 83 | The Long Manhunt for Les Voyles |
| Feb/ | 84 | Who Dunnit? |
| Mar/ | 85 | Police Teamwork and 3 Blind Rats |
| Confessions of a Racketeer's Widow | ||
| Aug/ | 90 | Over My Dead Body! |
| Unexpected Guest | ||
| Sep/ | 91 | Murder Plays Hide-and-Seek |
Written by Carl Wessler
| Sep/49 | 79 | Jack Roscar |
| Feb/50 | 84 | Death House Blues |
Wednesday, October 12, 2022
Ken Fitch Writes Tony Gay
The early 50s company Star is best known for its covers by co-owner L.
B. Cole. On the insides it made do with a lot of reprint material from
various publishers, most
notably Novelty, from whom it continued some titles and characters.
Teen-age model Toni Gay, for instance, is a continuation of Novelty's
Toni Gayle girl detective strip.
Star's romance and teen-age books did contain some original material, and every so often in the romance titles Ken Fitch got a scripting credit. So I knew to look for him at Star, and I found him on at least the first two Toni Gay stories. This tier from "The Hoaxed Hoax" shows not only his typical "Aiy-y-y-y-y-y" but the "Eeeeeee" found in some of his romance stories. The artist is Norman Nodel.
Star's romance and teen-age books did contain some original material, and every so often in the romance titles Ken Fitch got a scripting credit. So I knew to look for him at Star, and I found him on at least the first two Toni Gay stories. This tier from "The Hoaxed Hoax" shows not only his typical "Aiy-y-y-y-y-y" but the "Eeeeeee" found in some of his romance stories. The artist is Norman Nodel.
On many of the stories in the other strips in School-Day
Romances/Popular Teen-Agers--Ginger
Snapp/Ginger Bunn/Honey Bunn, Midge Martin, and Eve Adams--I find one
writer whom I can't identify who uses the expression "Sufferin' Susie"
often.
Ken Fitch Scripts on Toni Gay
in School-Day Romances
Ken Fitch Scripts on Toni Gay
in School-Day Romances
| Nov-Dec/49 | 1 | The Hoaxed Hoax |
| Jan-Feb/50 | 2 | Mixed Pix |
Thursday, September 22, 2022
Sal Trapani Credit Where Due: Nature Boy
After all the times that Sal Trapani was given the attribution for his ghosts' pencils, it's only fair to give him credit for some stories he did ink without being recognized. I'm not sure who did the pencils on "Starvation Valley" in Nature Boy #4. Could Bill Fraccio have done any?
Jerry Siegel has been correctly credited with the John Buscema drawn stories in #3 (the first issue) and #5. The guess at Joe Gill for #4 and one story in #5 happens to have hit the mark, but another writer known to have been at Charlton in the 1950s wasn't considered. That's Ken Fitch, whose "Aiyyy" is seen in his later Dell work such as Space Man.
Nature Boy
| Aug/56 | 4 | A World Gone Mad | i: Sal Trapani |
| Starvation Valley | p: Molno? i: Rocke Mastroserio? | ||
| Nature Boy's Private War | i: Trapani | ||
| Peaceful Island | i: Trapani | ||
| Feb/57 | 5 | Desert Intrigue | w: Ken Fitch i: Trapani |
| Menace from the Hills | w: Fitch i: Trapani | ||
| Bringing Up Junior | i: Trapani | ||
Thursday, September 1, 2022
Robert Bernstein Starts Out on Crime Does Not Pay
Flipping through Crime Does Not Pay, I'll stop to recheck a story for more Robert Bernstein clues once my eye has been caught by his typical exclamations like "Eeeiii" and "Iiiieee." This tier is from "Bonnie Parker" in #57.
"Ghouls' Gold," possibly Bernstein's first published comic book story, is given a rare credit line. He wrote for CDNP and other titles for the publisher, Lev Gleason, from 1943 to 1955; here's the first part of a listing.
I haven't seen CDNP 46 and 54.
Crime Does Not Pay Anthology Stories
1946-48
Written by Robert Bernstein
| Jan/46 | 43 | Ghouls' Gold |
| Mar/ | 44 | Mrs. Bluebeard |
| Sep/ | 47 | A Weird Weekend (WHO DUNNIT?) |
| Nov/ | 48 | The Greedy Gunman |
| Mutiny on the Rock | ||
| Jan/47 | 49 | Devil's Diary |
| Mother of Murderers | ||
| Brother Rats | ||
| Mar/ | 50 | The Kill-Crazy Fleagle Brothers |
| Danny Iamascia, Dutch Shultz's Triggerman | ||
| The Invisible Killer (WHO DUNNIT?) | ||
| May/ | 51 | The Hoover Brothers |
| Pretty Boy Floyd, the Two-Faced Terrorr | ||
| Washed in Blood | ||
| Who Dunnit? | ||
| July/ | 53 | Carlo Barone, the Murderous Bully |
| Dr. Holmes, the Master of Murder Castle | ||
| Death Stalks the Diamond (WHO DUNNIT?) | ||
| Sep/ | 55 | Louis Lepke Buchalter |
| "Shoe-Box" Annie | ||
| Oct/ | 56 | The True Story of Big Mouth Nick Luciano |
| Nov/ | 57 | Bonnie Parker |
| The Wild Spree of the Laughing Sadist--Herman Duker | ||
| Case of the Murdered Bathing Beauty (WHO DUNNIT?) | ||
| Dec/ | 58 | Thomas Dun, Single-Handed Killer of Thousands |
| Jan/48 | 59 | Vic Everhart, the Kill-Crazy Scoundrel |
| Alvin Karpis | ||
| Cut Rate Murder | ||
| Financier of Death | ||
| Feb/ | 60 | Verne Miller |
| Who Dunnit? | ||
| Was She a Monster? | ||
| Mar/ | 61 | Clay Fogelman, Meanest Man of Crime |
| Who Dunnit? | ||
| Apr/ | 62 | William Nevinson, the Terror of the Roads |
| William Bonney, Alias Billy the Kid | ||
| June/ | 64 | Walter Legenza the Gangster |
| Robert James | ||
| Aug/ | 66 | The Savage Genna Brothers--Bootleggers |
| Dick Richards | ||
| Who Dunnit? | ||
| Sep/ | 67 | Once There Were Three Killers from Brooklyn... |
| The End of the Deadly O'Malley Gang | ||
| Oct/ | 68 | Little Hymie Nabosco |
| Belle Shirley, the Angel-Faced She-Devil | ||
| Nov/ | 69 | The Gruesome Foursome--Including Emil, the Half-Wit |
Wednesday, August 10, 2022
When Is a Self-Swipe Not a Swipe?
Cover painter Allen Anderson's comic book work was mostly for Ziff-Davis's comics, but even though Fiction House didn't use paintings for their comics covers, they of course used them on their pulps.
With comic books pencilers the first think you'd think at seeing these similar images is that the artist is swiping from an earlier work, even if his own, but in these cases Anderson might not have even looked at the earlier paintings if he was just reusing particular photos from modeling sessions.
These are Action Stories Spring/47, Planet Stories January/51, and Lariat Story March/53; and Planet Stories Winter/47, Action Stories Winter/48, and Planet Stories January/52.
Thursday, July 21, 2022
Dell Tie-ins by "The Mystic of the Lower East Side"
Wikipedia, may wonders never cease, has it almost right on Lionel
Ziprin: "Ziprin wrote comic book scripts for Dell Comics in the
mid-1960s, including Kona Monarch of Monster Island
and several stories
depicting combat during World War II." It was more accurately the early
1960s (and the "several stories" were the first 10 or 11 issues of Combat).
I mention the up-to-date Wikipedia entry because the original sources of info on Ziprin still floating around on the Internet, derived from his 2009 obit, sent historians way off in the wrong direction by saying he wrote for Dell "in the late forties and into the fifties." (In 2009 Mark Evanier, bringing the news of Ziprin to fandom's attention, soon concluded that "the bio of [Ziprin] had events somewhat out of sequence.") See the 2020 Allen Ginsberg Project post, which quotes that time frame but goes on to mention Ziprin's doing the first 10 issues of Kona without realizing that the 12-cent comic they show couldn't have come from that earlier era.
Part of the quote from Ziprin himself (in it he never says nineteen forties or fifties) mentions his doing movie adaptations too. So far I've found one movie adaptation by him and three original-story TV tie-ins. The Aladdin plot he was stuck with (although it would have aligned with his interests in mysticism) but the three TV ones are, like Kona, worthy of the description "hallucinogenic."
The Grand Comics Database doesn't even include Lionel Ziprin yet; it still attributes the early issues of Kona to Don Segall (derived from, I think--mea culpa--a long-ago misatttribution by me).
Ziprin was writing directly for Dell. In 1961-62 the split into Dell and Gold Key was looming, as according to the indicias these issues were among those "Designed and Produced by Dell Publishing" whereas most in this portion of the Four Color run were still "Designed and Produced by Western Printing and Lithographing" although all were printed and published by Dell. Perhaps that explains Paul S. Newman's records showing "Aladdin"; maybe Western bought a script from him before they found they'd lost some individual properties to their own printers. Newman's writing is, in a word, straightforward, whereas the page here is typical of Ziprin's more flamboyant style as seen in his Kona.
All the one-page inside-cover/back cover fillers in these were very likely written by Ziprin too. It seems to me, by the way, that some other writer did issue #2 of 87th Precinct.
Some Lionel Ziprin scripts in FOUR COLOR
I mention the up-to-date Wikipedia entry because the original sources of info on Ziprin still floating around on the Internet, derived from his 2009 obit, sent historians way off in the wrong direction by saying he wrote for Dell "in the late forties and into the fifties." (In 2009 Mark Evanier, bringing the news of Ziprin to fandom's attention, soon concluded that "the bio of [Ziprin] had events somewhat out of sequence.") See the 2020 Allen Ginsberg Project post, which quotes that time frame but goes on to mention Ziprin's doing the first 10 issues of Kona without realizing that the 12-cent comic they show couldn't have come from that earlier era.
Part of the quote from Ziprin himself (in it he never says nineteen forties or fifties) mentions his doing movie adaptations too. So far I've found one movie adaptation by him and three original-story TV tie-ins. The Aladdin plot he was stuck with (although it would have aligned with his interests in mysticism) but the three TV ones are, like Kona, worthy of the description "hallucinogenic."
The Grand Comics Database doesn't even include Lionel Ziprin yet; it still attributes the early issues of Kona to Don Segall (derived from, I think--mea culpa--a long-ago misatttribution by me).
Ziprin was writing directly for Dell. In 1961-62 the split into Dell and Gold Key was looming, as according to the indicias these issues were among those "Designed and Produced by Dell Publishing" whereas most in this portion of the Four Color run were still "Designed and Produced by Western Printing and Lithographing" although all were printed and published by Dell. Perhaps that explains Paul S. Newman's records showing "Aladdin"; maybe Western bought a script from him before they found they'd lost some individual properties to their own printers. Newman's writing is, in a word, straightforward, whereas the page here is typical of Ziprin's more flamboyant style as seen in his Kona.
All the one-page inside-cover/back cover fillers in these were very likely written by Ziprin too. It seems to me, by the way, that some other writer did issue #2 of 87th Precinct.
Some Lionel Ziprin scripts in FOUR COLOR
| 1961 | 1255 | The Wonders of Aladdin |
| Feb-Apr/62 | 1301 | Adventures in Paradise: Circle of Fire |
| Mar-May/ | 1308 | Tales of the Wizard of Oz |
| Apr-Jun/ | 1309 | 87th Precinct: Blind Man's Bluff... |
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