Wednesday, August 10, 2022

When Is a Self-Swipe Not a Swipe?

Cover painter Allen Anderson's comic book work was mostly for Ziff-Davis's comics, but even though Fiction House didn't use paintings for their comics covers, they of course used them on their pulps.

With comic books pencilers the first think you'd think at seeing these similar images is that the artist is swiping from an earlier work, even if his own, but in these cases Anderson might not have even looked at the earlier paintings if he was just reusing particular photos from modeling sessions.

Action, Planet, Lariat

Planet, Action, Planet

These are Action Stories Spring/47, Planet Stories January/51, and Lariat Story March/53; and Planet Stories Winter/47, Action Stories Winter/48, and Planet Stories January/52.

Thursday, July 21, 2022

Dell Tie-ins by "The Mystic of the Lower East Side"

Wikipedia, may wonders never cease, has it almost right on Lionel Ziprin: "Ziprin wrote comic book scripts for Dell Comics in the mid-1960s, including Kona Monarch of Monster Island and several stories depicting combat during World War II." It was more accurately the early 1960s (and the "several stories" were the first 10 or 11 issues of Combat).

I mention the up-to-date Wikipedia entry because the original sources of info on Ziprin still floating around on the Internet, derived from his 2009 obit, sent historians way off in the wrong direction by saying he wrote for Dell "in the late forties and into the fifties." (In 2009 Mark Evanier, bringing the news of Ziprin to fandom's attention, soon concluded that "the bio of [Ziprin] had events somewhat out of sequence.") See the 2020 Allen Ginsberg Project post, which quotes that time frame but goes on to mention Ziprin's doing the first 10 issues of Kona without realizing that the 12-cent comic they show couldn't have come from that earlier era.

Part of the quote from Ziprin himself (in it he never says nineteen forties or fifties) mentions his doing movie adaptations too. So far I've found one movie adaptation by him and three original-story TV tie-ins. The Aladdin plot he was stuck with (although it would have aligned with his interests in mysticism) but the three TV ones are, like Kona, worthy of the description "hallucinogenic."

The Grand Comics Database doesn't even include Lionel Ziprin yet; it still attributes the early issues of Kona to Don Segall (derived from, I think--mea culpa--a long-ago misatttribution by me).

Wonders of Aladdin

Ziprin was writing directly for Dell. In 1961-62 the split into Dell and Gold Key was looming, as according to the indicias these issues were among those "Designed and Produced by Dell Publishing" whereas most in this portion of the Four Color run were still "Designed and Produced by Western Printing and Lithographing" although all were printed and published by Dell. Perhaps that explains Paul S. Newman's records showing "Aladdin"; maybe Western bought a script from him before they found they'd lost some individual properties to their own printers. Newman's writing is, in a word, straightforward, whereas the page here is typical of Ziprin's more flamboyant style as seen in his Kona.

All the one-page inside-cover/back cover fillers in these were very likely written by Ziprin too. It seems to me, by the way, that some other writer did issue #2 of 87th Precinct.

Some Lionel Ziprin scripts in FOUR COLOR

1961 1255  The Wonders of Aladdin
Feb-Apr/62 1301  Adventures in Paradise: Circle of Fire
Mar-May/     1308  Tales of the Wizard of Oz
Apr-Jun/     1309  87th Precinct: Blind Man's Bluff...

Tuesday, June 28, 2022

Obscure Shuster: Ace

Just before Joe Shuster did a love story and a filler in the same issue for Standard in 1950 he did a love story for Ace: "Romance on the Range" in Western Love Trails 7, November 1949. The title lasted only from #7 to #9. I'm only just getting into Ace's comics, with the romance titles on the back burner, so I don't know if he did any more for them. The inks are different from the Standard story and filler's, but one way or the other this story's inks don't look at all to me like early Superman work, i.e. Shuster himself.


Monday, June 6, 2022

The Fawcett Movie Adaptation Writers

Otto Binder wrote three of Fawcett's 35 movie comics issues; the series started off written by Joe Millard and then became Leo Dorfman's most notable assignment there.

Here's a page from "Code of the Silver Sage" with Rocky Lane (Motion Picture Comics 102). The clues to lead to Leo Dorfman are "As" and "Just then" in the captions, but the clincher is the use of periods--all of these not exclusive to Dorfman, but used by him much more often than the other writers at Fawcett at the time. "Ivanhoe" and "The Red Badge of Courage" are, as I never tire of pointing out, the "classics in comics" mentioned in an early 70s Superboy text page and taken by fandom at the time as meaning Classics Illustrated.
 
Motion Picture Comics 101

Writers--
Fawcett movie one-shots


1949   Dakota Lil Joe Millard
1950   Copper Canyon Millard

  Destination Moon Otto Binder

  Montana Millard

  Pioneer Marshal Millard
  Powder River Rustlers Millard
  Singing Guns Millard

Fawcett Movie Comic


1950 Gunmen of Abilene Binder
Dec/     King of the Bull Whip Leo Dorfman
Feb/51
The Old Frontier Dorfman
Apr/    
10  The Missourians Dorfman
May/    
11  The Thundering Trail Dorfman
Aug/     12  Rustlers on Horseback Dorfman
Oct/     13  Warpath Dorfman
Dec/     14  The Last Oupost Dorfman
Feb/52 15  The Man from Planet X Binder
Apr/    
16  Ten Tall Men Dorfman
June/     17  Rose of Cimarron Dorfman
Aug/    
18  The Brigand Dorfman
Oct/     19  Carbine Williams Dorfman
Dec/     20  Ivanhoe Dorfman

Motion Picture
Comics


1950 101  The Vanishing Westerner Millard
Jan/51 102  Code of the Silver Sage Dorfman
Mar/    
103  Covered Wagon Raid
Dorfman
May/    
104  Vigilante Hideout Dorfman
July/    
105  The Red Badge of Courage
Dorfman
Sep/     106  The Texas Rangers
Dorfman
Nov/     107  Frisco Tornado
Dorfman
Jan/52  108  Mask of the Avenger
Dorfman
Mar/     109  Rough Riders of Durango
Dorfman
May/    
110  When Worlds Collide
Dorfman
July/     111  The Vanishing Outpost
Dorfman
Sep/    
112  Brave Warrior
Dorfman
Nov/     113  Walk East on Beacon Dorfman
Jan/53  114  Cripple Creek Dorfman

Monday, May 23, 2022

Bunny Backups

Bunny_Ball_Fantasy In the Bunny Ball Fantasy Theater backups in Harvey's Bunny, Howie Post has been IDed on the Sooper Hippie stories, but Hy Eisman, the Bunny artist, has been attributed the art for the first Fruitman stories and the Yvoorg Nam one. He doesn't start on Fruitman until issue 9. He may be inked by Henry Scarpelli on some, and Scarpelli may do complete art again toward the end of the run. (I see him with Eisman in varying degrees on the Bunny stories too.)

The inking on these three Post stories in particular stumps me--it doesn't look like his own as seen on Anthro, for instance--so as far as inking goes, I'll venture only that Scarpelli inked himself here.

Bunny 8 Fruitman

Bunny Ball Fantasy Theater Pencillers in early Bunny

Nov/67 Fruitman Warren Kremer
Mar/68 Yvoorg Nam Howie Post
Oct/      Flower People [SOOPER HIPPIE] Post
Feb/69 Love Beads [SOOPER HIPPIE] Post
Apr/     The Great Feast [FRUITMAN] Henry Scarpelli full art
May/     Shmasty and McGee [FRUITMAN] Hy Eisman

Monday, April 25, 2022

Robert Bernstein Writes Desperado

This is a way of dipping my toe in the water on Robert Bernstein's scripts for Lev Gleason; he was a major writer for them mostly after Dick Wood (their tenures overlapped in 1946-47) and alongside Carl Wessler and others. There may well be more Bernstein stories here that didn't jump out at me if he didn't use his typical exclamations.

Desperado not surprisingly is spun off Crime Does Not Pay as an anthology of nothing but Wild West crime stories after CDNP ran them every so often. With #9 Desperado became the Western masked hero book Black Diamond Western.

In lieu of CDNP's Mr. Crime, the lead story of most issues of Desperado was narrated by an object--a gallows, a coin, a boot--long before that became a staple of the DC war books. Here a gun is narrating "Joe Slade" in #1.


Desperado Anthology Stories
Written by Robert Bernstein


June/48 Joe Slade
    Sam Bass, the Cross Eyed Dead Shot
Aug/     Teton Jackson
Sep/     The Hole-in-the-Wall Gang and Its Leader "Kid" Curry
    Crazy Sam Brown
    Johnny Ringo
Oct/     "Doc" Holliday
    Wes Hardin
Nov/     King Hunter, the Self-Proclaimed King
    Clay Cottrell
    "Rattlesnake Jake" Fallon
    Bat Slater
Dec/     Joe Bowler
    Sheriff Ted Tucker
    Burly Will Grady and His Band of Ruthless Rustlers
Jan/49  One Man Against Two Armies
    "Buckskin" Frank Combs
    [WESTERN WHODUNNIT?]
Feb/      Cesar Leporello and the Phony Diamond of the Rio Grande
    Fools' Gold
    Blind Man's Bluff

Tuesday, March 29, 2022

Mix-and-Match Swipe

Gutenberg Montiero's cover painting for Creepy 24 (Dec/68) swipes two earlier paintings.

Masters of Horror pb, Black Mask Sept 46, Creepy 24

An unknown artist painted the cover for the Berkley paperback Masters of Horror (1967); Rafael De Soto painted the one for the pulp magazine Black Mask (Sept/46).