George Roussos is credited in the Grand Comics Database with anonymously inking the Dr. Strange story "The Return of the Omnipotent Baron Mordo" in Strange Tales 114 (Nov/63). The comment suggests that he may have been brought on board because Stan Lee wanted to rush the story into that issue (Dr. Strange stories appeared in 110 and 111 but not in 112 and 113).
Actually Steve Ditko had plenty of time to ink the story. And then Stan had the time to have Roussos do artwork corrections.
Roussos inked Victoria Bentley. I might have said he redrew her, but I see Ditko's poses still there. Dr. Strange himself, Mordo, and so on, are pretty much Steve Ditko's work, pencils and inks. Roussos may have contributed a bit more—on this page, the tree in panel 3 and Mordo's hands in panel 6 look like his brushstrokes—but to my eye the men's faces are more finely inked than Victoria's.
Tuesday, February 23, 2016
Monday, February 15, 2016
Trapani and Company on Flying Saucers
Sal Trapani had a signed story in each issue
of Dell's Flying Saucers
(#5 reprinted #1). Who ghosted the pencils for him? I'd say two
artists we're familiar with.
I believe I see the generic Charlton style of Bill Molno under three stories; the tier from "Swamp Gas" uses the man-at-the-steering-wheel shot I compared in stories signed by Molno and those Molno ghosted for Joe Shuster.
In the fourth Trapani-signed story the penciling style changes and reminds me of the scratchy effect in mid-seventies Charlton work by Bill Fraccio and Tony Tallarico. The clouds from the flying saucer in "Space Spiders?" show it most obviously.
There are two FS
stories which Trapani left unsigned because he had nothing to do with
them, but the general Charlton feel seems to have connected him with
them. They're both pencilled by Dick Giordano. I can't say who inked
them; not only do I not see Trapani work, I can't say I see Giordano himself
or Frank McLaughlin on the inks
either.
Flying Saucers Trapani or Giordano art
I believe I see the generic Charlton style of Bill Molno under three stories; the tier from "Swamp Gas" uses the man-at-the-steering-wheel shot I compared in stories signed by Molno and those Molno ghosted for Joe Shuster.
In the fourth Trapani-signed story the penciling style changes and reminds me of the scratchy effect in mid-seventies Charlton work by Bill Fraccio and Tony Tallarico. The clouds from the flying saucer in "Space Spiders?" show it most obviously.
Flying Saucers Trapani or Giordano art
| Apr/67 | 1 | Strange Shoot Out | p: Bill Molno i: Sal Trapani |
| July/ | 2 | Swamp Gas | p: Molno i: Trapani |
| Oct/ | 3 | The Fear of Death | p: Dick Giordano i: ? |
| A Nightmare in Broad Daylight | p: Molno i: Trapani | ||
| Nov/ | 4 | Trust Your Eyes | p: Giordano i: ? |
| Space Spiders? | p: Bill Fraccio i: Trapani |
Tuesday, February 2, 2016
Double Date with Candy and Tippy
The Tippy character Ashley Hartburn (think Reggie Mantle) comes directly from Candy's cast with no name change.
The first story in Tippy 1, "Great Skate," is by Mendelsohn, as I've mentioned, but I don't see an earlier version of it. There are a lot more Quality/Tower refries, but since I have a gap in Tippi issues on hand after 3, I'll stop here for now.
Jack Mendelsohn Tippy Teen 1-3 scripts
reworking his Candy ones
| Nov/65 | 1 | Chemical Warfare |
| from "Chemical Formula" CANDY 42 (Sep/53) | ||
| Jan/66 | 2 | Hearts and Flowers |
| from "Hearts and Flowers" CANDY 33 (Dec/52) | ||
| Muscle Tussle | ||
| from "Muscle Tussle" CANDY 32 (Nov/52) | ||
| Inferior Decorating | ||
| from 2nd Candy story CANDY 37 (Apr/53) | ||
| Volley Folly | ||
| from 4th Candy story CANDY 37 (Apr/53) | ||
| A Sight for Sore Eyes [GO-GO AND ANIMAL] | ||
| from "A Sight for Sore Eyes" CANDY 49 (July/54) | ||
| Starlet Fever | ||
| from "Is It a Cinema?" CANDY 33 (Dec/52) | ||
| Mar/ | 3 | 3rd Finger Right Hand |
| from "3rd Finger Right Hand" CANDY 51 (Nov/54) | ||
| Very Dear Diary | ||
| from 1st Candy story CANDY 37 (Apr/53) | ||
| Sweep No More My Lady | ||
| from "Sweep No More, My Lady" CANDY 45 (Dec/53) | ||
| A Stretch in Time | ||
| from 2nd Candy story CANDY 36 (Mar/53) | ||
| Odd Appreciation [GO-GO] | ||
| from "Odd Appreciation" CANDY 33 (Dec/52) | ||
| Keeping 'Em in Stitches | ||
| from "Knot One, Purl Two" CANDY 35 (Feb/53) | ||
| Good Deed Indeed-y | ||
| from "One Good Turn Deserves Another" CANDY 51 (Nov/54) | ||
| Axe Me No Questions | ||
| from 5th Candy story CANDY 36 (Mar/53) |
Friday, January 15, 2016
Dick Dillin on (Who Would Have Thought?) Blackhawk
During Dick Dillin's long run across two companies in the Fifties and Sixties on Blackhawk, he had to be spelled only a couple of times. In Blackhawk 210 (July/65) under the usual inker Chuck Cuidera's work (note the close-up in Panel 1), Jim Mooney steps in to pencil, as indexers were quick to notice (see notably the young women in Panel 3, although the men's poses are evidence of Mooney's work too).
However...
Mooney didn't pencil all of "Danger--Blackhawk Bait." He did Part 2. Part 1 was pencilled by Dick Dillin:
The main Blackhawk writers at this point are Ed Herron and Bob Haney; "Aaaah" and, elsewhere in the story, "Uuuuh", drawn out on the "a" or "u" rather than the "h", pinpoint this script as Haney's.
Mooney didn't pencil all of "Danger--Blackhawk Bait." He did Part 2. Part 1 was pencilled by Dick Dillin:
The main Blackhawk writers at this point are Ed Herron and Bob Haney; "Aaaah" and, elsewhere in the story, "Uuuuh", drawn out on the "a" or "u" rather than the "h", pinpoint this script as Haney's.
Thursday, January 7, 2016
Undercover Spy Writer in the MMMS
In
rereading mid-sixties Marvels, occasionally you might look over the
list of Merry Marvel Marching Society members in each issue to see if there are any names
you recognize with hindsight. For instance, I see Will Meugniot in
Strange Tales
143. And then I see a professional writer listed in Strange Tales 148—under his fandom pseudonym (he used his real name on his books).
Ted Johnstone, at the top of the rightmost column, is actually Man from U.N.C.L.E. tie-in writer David McDaniel. So it's appropriate that his listing appears in the book featuring Nick Fury, Agent of S.H.I.E.L.D. When ST 148 (Sept/66) went to press McDaniel's first novel, The Dagger Affair, had been on the stands for about half a year and his second, The Vampire Affair, was just coming out from Ace Books. It was in his novels, not on the TV show, that the secret history of THRUSH was revealed and in fact its full name: the Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity.
(I didn't have to look that up any more than I would the United Network Command for Law and Enforcement, The Higher United Nations Defense Enforcement Reserves, or Supreme Headquarters, International Espionage Law-Enforcement Division, but I can't get any further on SHIELD's gritty, with-it, "up-to-date" new name [twenty years now?] than Strategic Homeland blah blah blah blah.)
In the U.N.C.L.E. novel that McDaniel wrote to end the series but that Ace declined to publish in 1971, The Final Affair, one character, a motorcycle gang member, is nicknamed The Thing and shouts "It's clobberin' time!" And at one point Mr. Waverly refers to THRUSH as "that Hydra-headed bird."
Ted Johnstone, at the top of the rightmost column, is actually Man from U.N.C.L.E. tie-in writer David McDaniel. So it's appropriate that his listing appears in the book featuring Nick Fury, Agent of S.H.I.E.L.D. When ST 148 (Sept/66) went to press McDaniel's first novel, The Dagger Affair, had been on the stands for about half a year and his second, The Vampire Affair, was just coming out from Ace Books. It was in his novels, not on the TV show, that the secret history of THRUSH was revealed and in fact its full name: the Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity.
(I didn't have to look that up any more than I would the United Network Command for Law and Enforcement, The Higher United Nations Defense Enforcement Reserves, or Supreme Headquarters, International Espionage Law-Enforcement Division, but I can't get any further on SHIELD's gritty, with-it, "up-to-date" new name [twenty years now?] than Strategic Homeland blah blah blah blah.)
In the U.N.C.L.E. novel that McDaniel wrote to end the series but that Ace declined to publish in 1971, The Final Affair, one character, a motorcycle gang member, is nicknamed The Thing and shouts "It's clobberin' time!" And at one point Mr. Waverly refers to THRUSH as "that Hydra-headed bird."
Thursday, December 24, 2015
If Not Bob Oksner, Who?
Bob Oksner would have a 66-issue run on The
Adventures of Jerry Lewis from
61 (Nov-Dec/60)
to 126 (May-June/71) if it weren't broken up by Neal Adams' doing
101-104 in 1967—and this artist, whoever he may be, drawing issue 80 (Jan-Feb/64).
Any idea who this is?
Any idea who this is?
Sunday, December 13, 2015
Don Segall at Charlton--One Story Found
Back in antediluvian days, the only two credits superhero fans knew for
Don Segall were the Creeper origin in Showcase
73 (March-April/68) and
the story in Inferior Five
8 (May-June/68). If I'm recallling correctly, some time later in a
letter in one
of the fanzines—The
Comic Reader?—Mark
Evanier expanded upon Segall's writing career—mentioning his
working in television and, beyond DC in comics, for Dell and Charlton.
It's taken this long for me to stumble across a Charlton story by Don Segall: the Young Doctors back-up "Twenty-Four Hour Duty" in Cynthia Doyle, Nurse in Love 69 (Apr/63).
The use of "It seems" in the blurb is mirrored in the inside front cover one-pagers in Dell's Calvin and the Colonel 1 (Four-Color 1354, Apr-June/62) and 2 (July-Sept)—"It seems" in the first and "It looks like" in the second. "The boys" as in the final caption is something Segall uses likewise at Dell in, for instance, The Frogmen 7 (Nov-Jan/64).
The logical place to look for other Don Segall stories at Charlton would be in the Young Doctors' own title. I don't see such obvious clues to his writing there, but #1 and 2 are certainly not by Joe Gill, who takes over by #4 (I haven't seen #3).
Is Charlton trying to cash in on two particular doctor TV shows at once with the Young Doctors? I'd be shocked—shocked—to think so.
It's taken this long for me to stumble across a Charlton story by Don Segall: the Young Doctors back-up "Twenty-Four Hour Duty" in Cynthia Doyle, Nurse in Love 69 (Apr/63).
The use of "It seems" in the blurb is mirrored in the inside front cover one-pagers in Dell's Calvin and the Colonel 1 (Four-Color 1354, Apr-June/62) and 2 (July-Sept)—"It seems" in the first and "It looks like" in the second. "The boys" as in the final caption is something Segall uses likewise at Dell in, for instance, The Frogmen 7 (Nov-Jan/64).
The logical place to look for other Don Segall stories at Charlton would be in the Young Doctors' own title. I don't see such obvious clues to his writing there, but #1 and 2 are certainly not by Joe Gill, who takes over by #4 (I haven't seen #3).
Is Charlton trying to cash in on two particular doctor TV shows at once with the Young Doctors? I'd be shocked—shocked—to think so.
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